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Grotto was really just a low level grunt, and an associate of Turk’s (and we’ll see more of Turk this year…more on him down below). – It’s interesting that they’ve chosen to make a character like “Grotto” such a central figure in this series.
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That’s if you feel like going to Brooklyn, something that the MTA makes increasingly difficult these days.Īnyway, back to the important fictional stuff… Or you can go to the bar that they actually film in…that would be Brooklyn’s Turkey’s Nest Tavern.
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Go there and spend lots of money on lots of cheap drinks before NYC replaces it with an artisinal vape shop or a luxury salon for cats or something similarly terrible. I’ve said it before and I’ll say it again, if you want a more authentic Josie’s experience while in NYC, go to Billymark’s West. – We return to Josie’s Bar in this episode, a familiar haunt to Daredevil fans ( we covered this in our season one viewing guide). But this (and we’ll see more of it as the episodes go on) also takes its cues from the over-the-top ridiculousness and gore of Garth Ennis’ tenure as Punisherwriter, often with his Preacher creative partner Steve Dillon on art.Īlso, did I hear that this place is the Byrne Club? It’s probably a coincidence, but John Byrne is one of the most celebrated Marvel artists of the ’70s and ’80s. – The violence during the Punisher’s execution of those goons is like something out of a Paul Verhoeven movie.
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He was soon headlining three series of his own and guest-starring in virtually every Marvel book in the early-90s. But he really rose to prominence in the mid-80s when he was given his own headlining slot in a mini-series, the excellent Circle of Blood by Steven Grant and Mike Zeck. The character came into his own once he started squaring off with Daredevil during Frank Miller and Klaus Janson’s legendary creative tenure, and there are moments of that which inform plenty of things we’ll see on this show. He was also nameless (other than, y’know “Punisher”) and his tragic backstory was only alluded to. Punisher spent the early part of his existence as, if not a full-blown Spidey villain, certainly something of an antagonist. He was created by Gerry Conway and John Romita Sr. – The Punisher first appeared in The Amazing Spider-Man #129 back in 1974. And really, we’ve had riffs on both the Mafia and the Yakuza on this show already, so it’s only fair that the Irish get their criminal licks in, as well.īut really, I know, you want to hear about the Punisher, so… Matt Murdock’s Irish heritage places him nicely in that historical Hell’s Kitchen, as well. – Focusing on the Irish Mob here is a little bit of a reminder of the actual ethnic history of Hell’s Kitchen, which was settled by Irish immigrants and remained a working-class neighborhood until relatively recently.
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It’s a long story, and part of Ennis’ notoriously colorful run as writer on The Punisher. He didn’t meet his end at the hand of Frank Castle, though. Nesbitt, was created by Garth Ennis and Leandro Fernandez in the pages of The Punisher(volume 6) #8 in 2004. 1 by Mark Waid and Paolo Rivera on Amazon That could be “fired” like a grappling hook, and the club contained rope/wire that Daredevil could then swing from…like Batman or Spidey. Since it was often disguised as Matt Murdock’s cane, it had a hooked end. There’s one thing that club could do that this one hasn’t yet. He’s using his batons more, but we’ll get to that in more detail in a future episode. – So Daredevil has some new threads, only lightly redesigned from what we saw at the end of season one. And as I’ve pointed out ad infinitum in previous Daredevil articles (and will continue to do in this one!), it’s Frank Miller’s shadow that tends to loom the largest over this show. Opening with a heat wave is something of a theme from another Frank Miller work, famously deployed at the start of The Dark Knight Returns. – I’m opening with a little bit of a stretch, I confess. Murdock and Foggy take on a client with a questionable past.” “In the void left by Fisk’s removal, a new threat to Hell’s Kitchen emerges.